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FILMS BY DIEGO MARCON & OTHERS

7-9:30pm CDT


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For this screening, presented during his solo exhibition Krapfen at the Renaissance Society, Diego Marcon offers a carefully crafted two-part cinematic program that intermixes a selection of his own recent works and short films by other artists.

The videos will be screened online here on Renaissance TV at the same time as an in-person viewing at the University of Chicago's Logan Center for the Arts at 7pm CDT (Chicago time) on Thursday, October 23.

This is a program in two parts. Each part runs roughly one hour, with an intermission in between.

Part 1: 7–8pm

Part 2: 8:30–9:30pm

Presented in collaboration with the Italian Cultural Institute of Chicago.


Renaissance TV is an experiment, an additional exhibition space, and a tentative exploration of the potential for the internet to be a generative platform divorced from vertical hierarchies and classical institutional agendas. Conceptualized by Myriam Ben Salah with Karsten Lund and Michael Harrison, and inspired by the lo-fi aesthetic and assorted programming of television broadcasting, Renaissance TV hosts artist projects—newly produced and existing—such as films, animations, performances, sound pieces, mixtapes, and more.

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Schedule

November 17, 2025

Diego Marcon

WELCOME TO RENAISSANCE TV

There are no currently scheduled upcoming programs. Please check our website for more information: renaissancesociety.org


Renaissance TV is an online platform created to produce and host artists’ projects. It focuses on moving image and occasionally expands onto performance, sound work, and other artist-centered programs.

Renaissance TV is supported by GUCCI and designed by SPECIAL—OFFER INC. (LA & NYC)

© 2025, The Renaissance Society

Diego Marcon

La Gola

22 mins, 26 seconds

La Gola, translating to “the throat,” is an epistolary film that demonstrates the ability of language to convey powerful emotion when expression and visual indicators are left implicit. Over the course of eight letters, Gianni describes the successive dishes of an exquisite banquet, while Rossana gives an account of the progressive decline of her mother’s health. The two characters are played by hyperrealistic mannequins, that appear motionless with their eyes modelled and animated in CGI.